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Dylan Comment 2: Diaries Megaphone FUNNY.

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3/15/08 Minneapolis, MN Loud protest against Scientology Megaphone Guy gives a speech epic. Sorry for the crappy video, but it's great to hear.

Through a megaphone at 3 am?
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Ofo Nunez & current Kidbit Creative Brain: Audiovisual minimum trip in the world. Audiovisual project by a DJ and VJ in El Salvador. The music is Minimal Techno.

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22 Tips for better sound in a High-End Audio system
  Özhan Atalay
  Email: @ ozhan Atalay. biz Web: http://www. nonamehifi. com
 
 
  Introduction
 
  Basically what audiophiles is accepted that it is almost impossible to achieve the best sound with only the combination of the best teams. Much cheaper but properly selected and adjusted the system may sound better than its expensive brothers. This is called synergy of the system in the world of professional audio. The synergy of the system is not only the combination of the best teams, but it is a nice long pass to maximize performance.
 
  The precautions and principles may be absurd and meaningless to someone who has no solid understanding of what the hi-end is.
  In the past twenty years I have devoted much time, money and effort to achieve the best sound (.. Or what is the best). I wrote a couple of important points from my own perspective. Most of these points can be known by audiophiles anyway if not the practice. More importantly, the items below consist simply my own observations. There are many different settings and techniques known. Evité sin incluir aquí los puntos que no lo intenté y / o los puntos que no funcionaba bien conmigo. I think the items listed below will enhance the system of a person to the next level by using the same equipment.
 
  I apologize for my English level. I am grateful if someone warns me about the errors of the main language anywhere in the site.
 
  The only truth that I learned some after twenty years is that "there is no absolute truth in Hi-End" Most high-end truths can not be proven by scientific measurements. Very sensitive human ear hears much, interpret, evaluate and decide. In a listening session of three lovers of sound, which probably will happen is one of the people is low enough, the other can be far and excessive, but the owner of the network will think it's okay, no less, not more. This phenomenon is called "reference brain. (See for details) reference brain is a kind of prejudice that comes out of our own system of timbre and tonality. This phenomenon sometimes causes conflict with someone better team compared to his own team and not like the sound of the other despite the other was clearly better.
 
  Most of the points set out below depend on the ability of the system, but more importantly, depends on the professional audio experience. A poor system is no different from the points or less experienced ears can not pick either. That's why some of the points below can not be seen worldwide. I will be delicious, if anyone who reads this article takes one or two points.
 
  1 – Listening at night, listen to criticism or equipment testing must be done in the evening. This rule obviously applies to one who lives in a big city. No noticeable noise of the city affect our audience and we basically can not hear what our system offers to us during the day.
  Due to the noise of the city is several times lower at night hiding in all aspects Hi-End appear in the night and the system delivers its full potential. For more information, see the noise (see for details)
 
  2 – The heat and humidity, heat and humidity affects the bass sound. The systems can not produce its best sound, power and dynamics in a warm and humid. I'm not sure why this happens but it happens. There may be two reasons: Moist air is heavier in these circumstances, so that the speakers are not able to draw enough air into the room. Or the speaker materials may soften and behave differently in warm weather. To cool the listening environment before listening session eliminates that effect.
 
  3 – Darkness, The music must be heard in a dark room. In particular, the speakers and the system should be maintained in the dark and the place of the original recording should be imagined while listening.
  The main objective of a high quality of the final system is to move away from hardware and into the recording environment. Listen to music while viewing the hardware physiologically demolish the virtual environment intended to be in, the most uncomfortable part of a high-end system is the lack of visual images. The sense of reality is very different when participating in a live concert or listening and watching from a DVD player through a surround sound system.
  If the listening environment is not dark, the speakers will be perceived as the original sound sources.
 
  4 – Finding the right hearing distance, the sound travels in waves called frequency. The volume of all frequencies will be different in relation to distance from the speakers. In volume terms, the frequencies will be up and down when you change the distance. Especially higher midrange and treble sections may vary between 20.5 cm. Frequency peaks that can be easily recognized by the listener.
  A – Play a CD that contains test different test frequencies. For example, start with mono 1000 Hz in the listening chair. Then, standing and walking very slowly through your system. (Preferably with eyes closed). Immediately you will notice that the signal will have ups and downs in the volume while on the move like someone was turning on and off the volume control.
  b – The main frequency of the music and that is closer to human sound is 1000 Hz 1000 Hz is your starting point. 1000 Hz will be at its peak many times in relation to the distance of your listening chair. Find the closest distance to his chair listening to the current peak is 1000 Hz. The ups and downs in this band should be changed about 50-70 centimeters. This is the best place to hear the mids, but it is still the best place to achieve the best frequency spectrum. It is only the starting point.
  c – Stick a rope to the rear wall that can come across your shoulders. Now close your eyes and listen to different frequencies, as 300-500-1000-2000-5000-10. 000 Hz, etc, move up your body (seated) forward and backward. Mark the areas of greatest of all frequencies have heard about the rope. Our goal is to find a particular item that most frequencies are at their peaks. If not successful and these points are not closer together, move the speakers from 10 cm from the front (or back in his chair listening to 10 cm in front or back) and repeat the same exercises, to find a safe point that most frequencies in their beaks.
  It is not an easy task, long time, but for free. Once you get the point, it will be very surprised with the improvement of the sound of your existing system.
 
  5 – Room Acoustics, Room Acoustics is the best known, but the least considered part of Hi-End. A conventional speaker may shed 40% of the sound directly to the listener; rest of the sound comes through the walls of the reflections. Reflection: the difference in dates of the original signal, thus an additional noise that exists in the original record. Within the complexity of the reflections, a part of the original signal arrive late due to the front wall or ceiling or so, part of the original signal produced by the left speaker will come as if coming from the right speaker and vice versa . This complex listening environment demolish the stereo image and channel spacing.
  Some audiophiles are happy with this case because of the missing appear to be better speakers and sound is wider and deeper. Some producers add additional acute care units in the middle / to the rear speakers (dipole) to highlight such effects.
  One thing to consider that these reflections do not exist in the original sound. If something is produced by the system room, plus the original sound must be named color.
  If the goal of a good hi end system is to reproduce the original sound, such reflections should be avoided as much as possible. Speakers, especially film and electrostatic suffer greatly from such reflections.
  Carpet on the floor is a need to reduce glare (waves) between the floor and ceiling. Thicker curtains will help to reduce glare from windows. Photos of cover glass and rigid furniture that should be avoided.
  This article is not intended to give recommendations on how to make a room setting, but too much information can be found on the Internet. But it is fair to highlight the importance of room acoustics.
 
  6 – Focus and precise placement of speakers, which is also another well known, but the least considered part of Hi-End. It is critically important to locate both speakers in the distance, exactly the same to achieve accurate focusing. Distances must be carefully measured and the speakers should be placed exactly at the same distance through listening.
 
  OK, but why so important!
 
  The sound signals are distributed in the waves, as explained in section five. People who tried the settings in the fifth section will notice that the peaks of the frequency range in relation to distance from the speakers. Particularly high frequencies can vary greatly from one foot for a change. In such cases, if a speaker is only an inch closer to the listener, some frequencies will sound much of an orator, but do not hear from the other speaker. If the higher harmonics of the sound is formed by such higher frequencies, (is) this is obvious that the sound moves from center to left or right. Moreover, in this case, some frequencies are collided at full phase and will be exaggerated, some others hit the stage inverted so destroyed.
 
  This is exactly the same effect of losing the bass when you connect a speaker out of phase.
 
  7 – mechanical vibration of the electronic units, many of the feet to absorb vibration and platform type on the market. Should be included in the electronics / speakers. These materials have two intentions;
 
  a-To eliminate external vibration coming through the unit
  b-To eliminate the vibration of the unit (motor driver CD, the speaker cone vibration, etc.)
 
  Most popular are the cones (spikes). I think the appropriate use of points not well known. Instead of being a vibration damper, Spike is a type of broadcasting equipment from vibrations transmitted through one point to another point. In other settings, the vibration is condensed to a point and mechanically taken to another platform for the tip, but not eliminated. If the connection is hard surface (eg marble, granite, etc.) and the vibrations are transmitted to the surface. Under this rigid platform (marble, MDF, glass, granite) should be covered by an elastic material such as cork, mouse pad, neoprene rubber or similar.
 
  The vibration can not pass a rigid platform to platform and will be incorporated into elastic medium heat.
 
  Address of the cone is also critical. The address must be related to the intention of vibration transmission.
 
  May be the last thing on the cone is the cone should be in contact with the chassis of the direct component. If any kind of rubber band Double-sided, blue-tack or as an elastic material is placed between the cone and the unity of that material will try to incorporate the vibration and the cone will not work.
 
  8 – marble under the speakers: a marble platform in speakers eliminate most unwanted resonance from the speakers. The thickness of the marble should be at least 3 cm and the size must be at least 10 inches larger than the edges. Below the ball must be covered by an elastic material such as cork, mouse pad, neoprene, etc.
 
  How is the sound effect is more potent but has severe clearer and stronger, relaxation in upper and middle frequencies.
 
  He has to be connected to the platform through a cone, not by an elastically feet. The tip of the cone has to direct the marble, but not to the speaker.
 
  9 – Grounding metals to static electricity, especially in humid climates and in fully carpeted listening environments, static electricity become a problem. The carpet is in charge of static electricity that can be transmitted via electronic equipment through the frame and / or through human contact. Static electricity on the carpet is so powerful that when checked in the morning before anyone walks on it, you can clearly see the simple tools are sold at Radio Shack
 
  To eliminate the effect, the speaker stands and racks of equipment must be grounded by a thin wire. In addition, the speaker cables and interconnects must be lifted off the ground due to the same effect.
 
  What benefits can you expect from this trick is that I do not know why, but lower under less fuzzy and more than tide.
 
  10 – Speaker distance from the front wall loudspeaker producers generally recommended distance from the speakers of the front wall (the wall behind the speakers). Overall, the speaker should be located as far as possible from the front wall. (The side walls also) If you are so close to the wall, standing beneath the waves will be reinforced (explained in article five) and mid-treble band will be compressed due to excessive bass energy.
 
  Some audiophiles find the desired bass volume, placing them closer to the front wall, which is not correct. One thing to consider that the low increase is due to the original sound, but is the result of the response of the room called the color.
 
  11 – Auto old / passive line stage transformer, new technologies developed in the industry made the high end preamps questionable.
 
  Before the end, the reason for a preamplifier stipulated in four basic areas;
  a-To connect more than a whole unit
  b-tape recording of some sources of
  c-low-volume production and reverse polarity signal of turntables (as the only source of components)
  D-Bass, requirements treble adjustment
 
  Today, CD, SACD 5.8 volt units can provide products that are more than enough to power amplifiers. Audiophiles are not interested in the adjustments of tone, but more focused on simplicity. Dedicated phono stages are common, therefore, most of the requirements are not valid anymore.
 
  The main amplifier and the only work based on a pre-modern is to lower the volume level, not Step It Up!
  Just imagine a pure signal from a CD, or CAD through the power amplifier, then cut this link, adding four blocks, four female plugs, a pair of interconnects, many resistors, capacitors, tubes, transistors and all So the link. How can we maintain the purity of the signal and can do better than the original!
 
  An active line stage destroys the neutrality and the purity of the original sound. This corruption can not be so evident in most low-resolution systems or considered by some people on purpose. Each phase line has its own tonality and coloration. As a matter of fact, audiophiles generally use the steps online to balance their problems in the systems of tonality. For example, a subway line stage is used to calm a sound company power amplifier solid state or a rich triple Stage Line is used to compensate the power amplifier acute poor and vice versa. If this is the case in a system, the stage online totally natural and lack of coloration, are not considered by the audiophile.
 
  After me, the review must be to change the power amplifier to find the desired sound instead of playing with pre-amplifier. In other words, to tackle the original problem instead of trying to hide the problem.
 
  It is almost a consensus that the use of a simple volume pot, add both the neutrality and purity of sound. But in such cases, some other problems appear. A pot of volume that is either a potentiometer or an alternator work with managers intensified resistance. Each step adds volume resistance path different from the signal, which decreases the volume. Due to the complexity of the music signal (20 Hz-20 kHz) as a resistive load will act as a barrier for different frequencies. For example, when we lower the volume level, treble and low bass is packed or when volume increases, means excessive, or vice versa. Do not forget to mention is the lack of dynamic range. An online stage eliminates these problems.
  Because of these facts, the volume control pots or analog volume-controlled CDs can not be used alone as stages online
 
  Using the new technology, new and old cars of the processor pipeline stages are developed for passive volume control.
  These units do not work with the directors of the resistance and not add resistance to the signal path. The only resistance of such amplifiers is approximately 200 Ohms, because the cable windings.
 
  Pipeline stages consist of two passive transformers transformers, one for the left channel and one to the right. They have a primary winding and multiple (12-24 stages) of the secondary windings. Her lover is the main trends in the volume of volts, instead of adding resistance. Until I know there are only three stages of producing the line. I used two of them. Both are providing additional regular natural sounds, calm and not distorted.
 
  I heavily modified old Lab I sound product that is very good and very cheap too, (do not underestimate their price) but Audio Consulting Silver Rock made of pure silver is another matter.
 
  I should also mention that the passive line stages can not be right for each system. In this case, the input impedance of the power amplifier must be driven directly by the output stage of DAC or CD player. Input impedance of the power amplifier should be as small as possible. The best way to learn this case is to write the impedance values for the producer and ask for assistance before buying.
 
  12 – Good Tubes (NOS tubes), it makes sense to pay 100? age and the tube while the new one costs 10? I think it is. A good tube can change the characteristics of an electronic tube as if replacing the whole unit. We tubes are not easy to find, quite expensive, but worth using. Especially the upper frequency hiss is much lower tubes n.
 
  13 – Very easy method for detecting polarity; Overall, European (German) standard AC power outlets are in the direction of the signal. USA, UK, Switzerland AC plug has a way of connecting to the CA, so that + and – phases can not. So in such cases is not easy to ascertain the correct polarity.
 
  The electronic components can work properly, regardless of polarity. Our televisions, refrigerators, light bulbs, computers around. Why AC polarity is very important in Hi-Fi!
 
  The electricity comes from (+) through the electronic circuit and out of (-) Generally, the flow of the network reaches the power supply of the first unit was reduced to the desired voltage for electronic circuits. In this case, the network is automatically filtered by the food section. The transformer feeding section behaves as an isolation transformer, input and output currents are physically separated. If the polarity is incorrect, the network will reach the system directly from the back door and get all the pollution, such as RFI / EMI on the drive. Due to the fact, it is important to determine the correct polarity.
 
  Most e-polarity "is similar. If the unit has detachable power cord IEC-type entry, the hole should be the right (+) mains when you look at the front of the front plug (as discussed below)
 
  Another simple method is to check the fuses on the network. If the unit is equipped with an exterior protection fuse, release the fuse and verify that a check pen electricity, while the unit was connected to the network. It (+) signal. If not, reverse the plug from the wall
 
  14 – Listening volume level, is to make sure no one will tell you what the correct volume setting is listening. Some audiophiles as very low level of listening, is subdivided into the volume up some windows.
 
  If the result is to the environment of the registered office, the volume level should be adjusted accordingly, but no more or no less. This case is applicable to acoustic instruments, but not limited to electronic music, jazz or disco music, etc.
 
  What have you heard the record, correct volume setting should be the one not to extend or reduce the size of the original instrument. Higher volumes may, for example a guitar should be played with the original guitar volume by the volume setting right. Increasing the volume level, the body of the guitar was bigger in terms obsolete, by other hands, the whole body of a Mormon choir will not be so realistic at low volumes
 
  15 – Warming up the speakers and cables before you hear criticism, apart from the theory that "solid state electronics provide the best sound for a few minutes before transistors became warm." Every team needs only sound a heating time. This time is at least 1 / 2 hour or 1 hour despite manufacturers recommend less. To my knowledge, the reason behind this is the specification of the resistors, capacitors, tubes and other things are different if hot or cold. Manufacturers make final adjustments when the units are warm, otherwise it would be a perfect game for an hour the first half hour and worse after heating.
 
  Principal applied by all audiophiles for electronics, but not always for the speakers and cables.
  The speakers are very important as passive components like resistors must be heated junction. His voice coils must be heated too. The cables are also important. Heating term not eligible for the cables, but cables must be run for some time until their dielectric pay.
 
  As a result, the heating time should be completed by play (can not hear) the whole system.
 
  16 – Selecting appropriate speaker for listening room, the speaker should be selected in relation to the size of listening room. Unfortunately, the general trend in the U.S. in particular audiophiles is "bigger is better"
 
  It's like starting a new skiers who choose the best ski equipment before learning and face many problems later.
  Speakers are difficult to position large, hard to drive, affected more than the limits of the room. If the speaker is greater for the room, the excess energy will decrease other sounds serious. The larger speaker means more problems. Driving requires large speakers challenge, experience, resources, time and money.
 
  17 – PS Audio Power Plant, mainly I do not give specific brands in my web site not commercial. But PS Audio Power Plant is a very special product that similar components, not comparable. It's kind of regenerative energy driven by electricity. P300 actually regenerates new AC for audio equipment. This regenerated AC quality is much better than AC filtering, due to stress and almost perfectly stable waveform of alternating current. It also eliminates the 70 dB of EMI and RFI from the AC line!
 
  Not all agree with me friends, but in my opinion, is the special equipment that rises to a system-wide level.
  What is expected of him is much more relaxed sound, sound studio in greater depth and layers, crystalline interior details and more acute. The improvements are immediately apparent. Be careful to use with power hungry amplifiers. (Not sure about this Notice currently: 2005)
 
  18 – CD Surface Treatment: There are several types of CD surface treatments on the market. That the brightness of the surface of the CD, laser therefore gives more information. What can you expect from a superficial treatment of the high frequencies are cleaner and more widespread. La forma más fácil y barato método de tratamiento de superficie de CD es el que utilizan los amantes de la tubería. That is the human oil on the skin of the face.
 
  I apologize for that ugly adjust our systems, but is personal and private is not anyway. Human has the perfect thin oil viscosity and can be absorbed by the surface of CDs very easily and effectively. Listen to his first CD, extension of the CD through her forehead and spread the oil with your finger and listen again.
 
  Do not forget to spread the oil from the finger every time before hearing this CD.
 
  19 – Goal of the Third Dimension, The objective of a stereo system is to reach 3. th dimension through two channels. All hi-end hi-fi equipment or have personalities, timbre and tonality. For example, a titanium tweeter have different key then a silk dome tweeter. Two different brands of speakers that have different tones, as if the disk drives used. The tone of the high-end equipment mostly depends on the listening preferences of the designer. We are very likely that if you do not like to hear different tones of our own equipment, while the other system sounds much better. This case is so often face, most audiophiles do not like the sound of some other system though is a better system. This case is also evident in the purchase or test new equipment in homes. Sometimes the best test team at home, but feels that something is still missing in comparison with our own team.
 
  I remember well, when Sony introduced the first CD of 20 bits, most people found the rough sound, tight and color. People used to listen to audio CD players until the time dark and disturbed to hear more details inside them.
 
  I also remember very well that when I modified my old B & W 801 Matrix II monitor speakers and canceled their protection units, the new sound bothered me a lot. I was so unhappy about the new sound and could not have heard in my system for several days. At that time, the manufacturer said: "The protection units are needed because the speakers were designed primarily for recording studios. He also told me that the new sound should be clearly better, due to cross-resistance, especially involving middle and senior management positions was reduced low enough. After several days of hearing them, the sound became better and better. Finally, the sound was surprisingly perfect after a few weeks. In fact, the sound was the same, but the perception is changing. (My brain was changing reference)
 
  If this is the case, often, how to distinguish the best unit to listen! There are several forms of it, but for me the main method is the ability of the third dimension. This is not the only case for sure, but overall, when comparing two units, the best one is offering more acoustic, more and more height department.
 
  This is also the theory of Peter Quodrup Audio Note UK and I am one hundred percent agree with him.
  The distortion of an electronic device is not an effect of the tonality of the equipment but mainly to the effects of internal information. Soundstage department and height are factors as hidden in the interior details that will be affected first. If the drive to provide less distortion, more accurate sound studio, especially more department will be provided.
 
  20 – The powerful link in a chain of less, Hi-Fi is a chain. The strength of a ring chain is less powerful. Suppose a water hose consists of a variety of amplitude. The resulting water capacity shall be in accordance with the thinnest part.
 
  A system will consist of a similar level of equipment. If we add the best CD transport to a standard level of the system, there will be some changes, but not as expected. También un cable digital pobres comprimir la calidad de sonido completo de un sistema muy bueno.
 
  Un plan a largo plazo debe estar preparado antes de la creación de un sistema y las piezas deben ser comprados en el tiempo. Las compras apresuradas pueden venir como gastos de reemplazo dentro de uno o dos años.
 
 
  21 – No de inmediato el juez una unidad, dar una oportunidad, cada sistema puede sonar bien en el tiempo. La sinergia del sistema es una especie de factor tiempo depende de que a veces tarda meses, incluso años. A veces tomamos decisiones rápidas y prejuicios rápida para los buenos productos y de inmediato hacer observaciones desleal. En mi opinión, el elemento principal de la alta cadena de final es el altavoz. Si la tonalidad y características de los altavoces es generalmente buena, o si la tonalidad general de todo el sistema en general bien, el sistema puede ser realizado para varias medidas adicionales por jugar con los cables, ajustes, lugares, tubos, etc
 
  22 – ajustes críticos debe ser realizado por Escuchando Música Sinfónica y Coro Música, una vez que decidimos sobre los principales componentes de nuestro sistema, jugar con los cables, tubos, retoques y otros accesorios, hasta encontrar la tonalidad deseada. Ajuste el balance tonal de un sistema por escuchar los instrumentos individuales o tríos de jazz puede confundirnos.
 
  Media y superior de las bandas de agudos de un sonido es fácilmente desaparecer si alguien está muy lejos de la señal original. Este es el caso, si escuchamos en un concierto en vivo o escuchar en un sistema de alta final. Si este es el caso, esos instrumentos como el saxofón, guitarra, violín, incluso una voz humana son más oscuras y distantes si escuchamos en un disco en vivo muy buena. Cada vez que aumentar a mediados banda de agudos del sistema de ajustes, tales instrumentos se volvió más abierto, detallada y dinámica. Pero una cosa debe estar en cuenta que podemos añadir una cantidad sutiles de color al sonido inconscientemente. Si un sistema se recorta escuchando tríos o pequeños instrumentos individuales, voces singe, este riesgo es muy grande. Este sistema no puede desempeñar una música clásica interpretada por una gran orquesta. Si se escucha música sinfónica tal, el sistema puede poner de manifiesto la dureza y el brillo.
 
  A menudo se dice que el sistema de alguien juega bien en los clásicos, pero suena bastante oscuro en el jazz, o de otro sistema es muy revelador en el jazz, pero muy brillante y de superficie acristalada en la música clásica. Creo que esta es la razón principal de estos fenómenos
 
  END
 
 
  Hi-End es una pasión que muchas empresas oportunistas y las personas se añaden cada año en hi-a pesar comunidad final no crece lo suficiente. Los precios se multiplican por 3, 5, 10s cada año. Cada productor pretende ser uno de los mejores del mundo, o al menos en el nivel de precios en particular. Revisión cuestión Fabricantes informes preparados por algunos de los!
 
  No hay equipos de ensayo en la tecnología de hoy pueden demostrar que sus afirmaciones son correctas o no equipos de ensayo que pueden invalidar sus afirmaciones son erróneas. De ninguna manera el equipo puede comparar dos unidades de los demás y demostrar que uno es mejor que suena luego el otro. Fingió mejores del mundo en equipos o cables se chupan en las pruebas ciegas. Si este es el caso, es fácil pretender ser los mejores en el mundo debido a que nadie puede probar lo contrario.
 
  El precio de los equipos de valor puede caer a 1 / 3 del precio de compra dentro de algunos años por las adiciones de MK-II, MK-III, ediciones especiales, y versiones de Firma
 
  Mientras que el mejor orador del mundo fue vendido por 7. 000? Hace veinte años, el mejor orador es hoy en día más de 200. 000? Una etapa en línea pobres, que se utiliza para reducir el volumen es vendido por 40. 000. ?
 
  Tecnología Hi-End no crece por años. La mayoría de los hi-los productores finales son muy pequeños empresarios de la familia, la orientación de la gente adinerada nicho de unos pocos. Ellos no tienen la debida investigación y laboratorios de desarrollo. Diseño y propiedades estéticas son las prioridades.
 
  I have the strong impression that Hi-End is digging its own grave with that pricing policy. We will see what will happen to hi-end after 30 years.
  It is a deep less hole. My humble recommendations for the just starters is that go with second hand market products and go by reasonable priced equipments to minimize the losses of years. Never look for the perfect sound which is not exist in any money. Keep in mind that a 300. 000? Worth amplifier may be % 2-3 better then a 5. 000? Worth of his small brother.
 
  Best regards with lots of music. .
 
  Ozhan Atalay